Masterclasses

Get stuck in with our weekend long courses.

Scroll down to see range of courses available.


Sat 13th October and Sunday 14th October

Crime Writing with Michelle Spring

Get your finger on the pulse of crime fiction.

If you fancy a life of crime -- writing, that is -- this is the workshop for you. Michelle Spring, award-winning crime novelist, will share the secrets of writing successful crime fiction.

The workshop will explore: how to capture ideas and develop them through research; how to create compelling characters and convincing settings; how to accomplish seam-free plotting; and how to generate suspense. Novice crime writers are also welcome, as are writers who need some inspiration to spark a partly-worked story into life.

Participants are invited to send in beforehand 6-10 typed double-spaced pages of writing in the genre.  This could be a chapter of a book, a short story, or even a synopsis for a novel. There will be one-to-one feedback during the weekend for any submissions that reach New Writing Partnerships by October 1st.


Michelle Spring

Michelle turned to crime writing after she and her family were tormented by a stalker. In her first standalone suspense novel, The Night Lawyer, she draws on this experience, tracing the fate of two people from opposing cultures whose increasingly edgy relationship offers a unique and surprising twist on stalking and survival. In the Midnight Hour, the fifth book in her Laura Principal series, was chosen by the Crime Writers of Canada as Best Novel of the Year. Michelle is a Royal Literary Fellow at Newnham College, Cambridge, and a founding member of Mystery Women and of the Unusual Suspects, a group of five award-winning crime writers who often appear together to inform and entertain (www.unusual suspects.co.uk).

The Maids Head Hotel
9:30pm – 5:30/6:00pm, with breaks for coffee & lunch

£98 (£76 concessions)
DEAL: take two masterclasses for £175
 
BOOKING


Sat Oct 13th & Sun Oct 14th

Prose Fiction Masterclass with Toby Litt

Try something different.
 
Don’t just keep it simple and write what you know. That is the approach I will be taking towards prose fiction during our weekend. Hoping to encourage and enthuse you, whether you are just beginning or vastly experienced. Aiming to help you develop and explore your own unique approach to words and all the amazing things they can do. There will be a special focus on dialogue.

As part of the course, participants who submit manuscripts to NWP of up to 2,500 words by Oct 1st will be given one-to-one feedback.

Toby Litt

A graduate of Malcolm Bradbury’s Creative Writing M.A. at the University of East Anglia, he is the author of two books of short stories, Adventures in Capitalism and Exhibitionism, and six novels, Beatniks, Corpsing, deadkidsongs, Finding Myself, Ghost Story and Hospital. He edited Henry James’s last novel The Outcry for Penguin Modern Classics. He was also the co-editor, with Ali Smith, of the British Council/Picador New Writing 13 anthology. He is a Granta Best of Young British Novelist. His website can be found at www.tobylitt.com.

The Maids Head Hotel
9:30pm – 5:30/6:00pm, with breaks for coffee & lunch

£98 (£76 concession)
DEAL: take two masterclasses for £175

BOOKING


Saturday 23rd November and Sunday 24th November

Writing for Radio with Jonathan Myerson SOLD OUT

Radio is a viable and valuable opportunity for all writers. There are hundreds of radio plays commissioned every year by the BBC alone for their afternoon, saturday and sunday slots; it pays well and there is a constant hunger for new writing.

Any story can be a radio play: short stories, novels, stage plays, all can be re-written for the airwaves, but how? Oscar-nominated Jonathan Myerson will show you the tools and tricks of the trade.

Those wishing to take part must, if they don’t already (which they should!) listen to radio plays for at least two or three months beforehand, as this will be important for the discussion elements of the course.

Included in the course price, there will be 20-minute one-to-one sessions available to all participants. Please submit a script or story for adaptation of a maximum of 2,000 words (anything beyond this to be summarised in a synopsis). Manuscripts to be submitted to NWP in advance, by 9th November.

There will be further tutorials available beyond this course, to arrange privately with Jonathan at a specially reduced rate. Promising work will also be forwarded to BBC Writers Room for further consideration and feedback.

Jonathan Myerson

He has written over 20 original plays for radio as well as many episodes for Citizens and Westway, which he also briefly produced.  His recent radio work includes a dramatisation of William Hogarth’s engravings of A Harlot’s Progress, and Male Order, a series of short plays about the mail order bride business. He is currently working on the first radio dramatisation of Doctor Zhivago and a new series, Number10, for Radio Four, to be aired this Autumn. Jonathan has written screenplays for film and television and episodes for The Bill, EastEnders, Medics and Holby City.  The Canterbury Tales was his first animated film as writer and director – he was nominated for an Oscar and went on to win a BAFTA, four Primetime EMMYs and many other awards all over the world. Prior to The Canterbury Tales, he wrote the scripts for two of S4C’s Animated Testament series – Daniel and David and Saul. He has also written two novels (Noise and Your Father), both published by Headline Review. Until the last election, he wrote a column in The Guardian about his experiences as a local councillor in Lambeth.

The King of Hearts
9:30pm – 5:30/6:00pm, with breaks for coffee & lunch

£98 (£76 concession)
DEAL: take two masterclasses for £175

BOOKING


Saturday 23rd November  and Sunday 24th November

Prose Fiction Masterclass with Susan Elderkin SOLD OUT

The art of showing, or letting a story speak for itself.

The single most transformative technique you can discover as a writer is to learn how to show instead of tell. But what does ‘show don’t tell’ mean exactly, and how do you tell if you are telling? This two-day workshop with Susan Elderkin will tackle this pesky issue head-on, and in the process inject your writing with greater immediacy, energy and drama. You won’t look back!

Please submit a story, max 2,000-2,500 words by 09th November.

Susan Elderkin
Her first novel, Sunset over Chocolate Mountains (4th Estate, 2000), is a surreal and haunting fairytale about a maladjusted Englishman, Theobald Moon, who brings up his daughter in an isolated part of the Arizona desert. Begun while she was a student on the MA in creative writing at UEA, it went on to win a Betty Trask prize for first novels and was published in nine languages. Her second, The Voices (4th Estate, 2003), is set in the similarly remote landscape of Western Australia and tells the story of a white boy who is “sung up” by an Aboriginal girl, and made to love her for ever. Praised for its evocation of place, The Voices was shortlisted for the Ondaatje prize, and in the same year she was named by Granta as one of the 20 best young British novelists of the decade.  Susan is a regular tutor of residential and weekend writing courses, as well as tutoring on the MA programmes at Goldsmiths and City University in London. A critic and travel writer for the FT, she is currently working on her third novel, the screenplay of Sunset over Chocolate Mountains, and a travel book set in the UK.

The King of Hearts
9:30pm – 5:30/6:00pm, with breaks for coffee & lunch

£98 (£76 concession)
DEAL: take two masterclasses for £175

BOOKING